When I was a girl, I had the same kind of advent calendar that Derek McCormack describes receiving every year from his mother, the flat ones made of cardstock, with winter scenes decorating them, little images behind each flap as you discovered them. No toys, no candies. House of
"I like telling stories of women who act on their passions." "I like these strong female characters." "When I talk with readers I feel an enormous appetite in women to explore both their strength and their emotional connectedness, which still tend not to be honoured in the dominant culture."* Any
Rawi Hage has said that De Niro's Game began as a short story. A short story that continued to grow. "I finally, out of nowhere, had a novel on my hands and I sent it to a few places and I got a few responses." The scenic construction does remind
"If you think you understand what you see on the surface, caution Atwood's fathomless parentheticals, keep looking." So says Suzanne Buffam in her introduction to the new AList edition of this classic Canlit work. (And don't you love the word 'parentheticals'?) I'm not sure that I *do* understand
For years, a set of loose photocopied pages were housed on my bookshelf with the M's. (Do you do this, too?) Then, they were tucked inside my copy of Lisa Moore's Alligator: her short story "Azalea", which first appeared in the March/April 2002 issue of THIS Magazine. I was first drawn
