A reader’s response to Alix Ohlin’s Signs and Wonders (2012)

2014-03-20T15:54:59-04:00

Wondering who Sandra is, and why she's sharing her thoughts about these stories here? I briefly introduced her the other day, and she has read two other Anansi works, which she will be chatting about, before this month's end. Read on: it seems that this collection was, indeed, a wonder,

A reader’s response to Alix Ohlin’s Signs and Wonders (2012)2014-03-20T15:54:59-04:00

Rawi Hage’s Cockroach (2008)

2014-03-20T15:54:10-04:00

Some readers will be unsettled by the title alone. (I had early exposure as a young reader to Don Marquis' archy and mehitabel, so it didn't work that way for me.) Most readers will be unsettled by the story. (As activist and artist Banksy has said: “Art should comfort

Rawi Hage’s Cockroach (2008)2014-03-20T15:54:10-04:00

“Circle of Prayer” Alice Munro

2014-03-20T15:48:43-04:00

I sat with this story for a good while. I re-read it. More than once. Let it sink in as familiar. I leafed through it on other occasions, when I was between tasks at my desk. I randomly picked out passages and murmured them aloud. I sat and stared out

“Circle of Prayer” Alice Munro2014-03-20T15:48:43-04:00

Lisa Moore’s Alligator (2004)

2014-07-11T16:54:32-04:00

When readers look into the eye of Lisa Moore's fiction, they are changed. House of Anansi, 2004 "I knelt down near the fence and looked into the eye of a giant alligator that was very near the fence. The alligator did not move and did not move. I

Lisa Moore’s Alligator (2004)2014-07-11T16:54:32-04:00

“A compelling up close perspective”: Loon

2014-03-20T15:42:21-04:00

Nearly two weeks ago, author Susan Vande Griek and illustrator Karen Reczuch took home the $10,000 Norma Fleck Award for Canadian Children’s Non-Fiction for Loon. This post's title comes from the jury's description of the book, and the cover alone, with its rich, tapestry-like image, declares that this bird

“A compelling up close perspective”: Loon2014-03-20T15:42:21-04:00
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