I wish that I could introduce the narrator of the last story, "Bardon Bus", to Prue. I like to imagine them sitting together in a cozy neighbourhood bar -- nothing fancy, rather the sort of bar to which people go to be heard rather than to be seen -- in
"I come of straightened people, madly secretive, tenacious, economical." The first segment of the story introduces the reader to the narrator of "Bardon Bus" in a way which recalls other heroines in other stories. "Like them, I could make a little go a long way." (If you've recently read Who
"Frances is loitering by a second-floor window of the high school in Hanratty, on an afternoon in early December. It is 1943." Loitering: it's a significant word. There is something unsanctioned about her presence there. And, yet, she is a high-school teacher. But she has no business being on the
Marguerite Abouet and Clément Oubrerie's Aya de Yopougon 4 Gallimard, 2008 Read: At the table, because I said that I would use my dictionary to look up all the French words that I don't know (of course I always say that, but I never do) Warning: As the fourth book in
Whether it's Alva's job in a summer resort in "Sunday Afternoon" or Edie looking after the kids and doing what needs doing in "How I Met My Husband", Alice Munro captures the twinned knowingness and vulnerability of a girl in her first job. Few other authors (Alissa York would be
