From the opening lines of Five Little Indians, debut author Michelle Good prepares readers. There are snares and ghosts, silvery and summery glimmers, and there is also warmth. (There’s also the requisite discussion of semantics—‘Indian’ or ‘Aboriginal’—reminding readers that nomenclature and self-identification is not a matter of consensus in
Originally inspired by the 1918-2018 centenary of the Spanish Flu, Emma Donoghue began writing this novel in the tradition of her historical novels like Slammerkin and The Wonder. Her author’s note includes this statistic: “The influenza pandemic of 1918 killed more people than the First World War—an estimated 3
In Imagining Ancient Women (2011), Annabel Lyon declares that “literary fiction is uniquely poised to perform an important ethical function in our lives—namely to teach us compassion”. She warns of the pitfalls: moral outrage, forbidden love, and excessive decoration. All of which she avoids in Consent. So much so,
I read Gil Adamson’s The Outlander (2007) in February 2009, on my daily subway commute, and on the afternoon that I was nearly finished reading, I started a conversation about it with another commuter, who was also reading it. I waited until I’d moved towards the door, prepared to
The characters in Shani Mootoo’s fiction often carry a burden. Cereus Blooms at Night (1996) is a lyrical and painful story of reconciling past trauma with present-day understanding (and a personal favourite). In Moving Sideways Like a Crab (2014), one character believes that all they “learned about women and
