Mavis Gallant’s “April Fish” (1968)

2020-01-29T10:49:53-05:00

In the previous story, we have Harold’s mother reminiscing about her earlier trips to the mountains, when it was just her and her husband, Harold’s father. She observes that it was one thing to think of skiing down the slopes into town when she was a young woman; now

Mavis Gallant’s “April Fish” (1968)2020-01-29T10:49:53-05:00

Quarterly Stories: Winter 2019

2020-03-11T13:47:16-04:00

Borra, Gallant, Gospodinov, Rogers and Tomine Short Stories in October, November and December Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to a favourite writer and also explored four new-to-me story writers. (I've read

Quarterly Stories: Winter 20192020-03-11T13:47:16-04:00

Winter 2019: In My Reading Log

2021-01-06T12:23:29-05:00

There’s a shadow over Cherie Dimaline’s latest novel, Empire of Wild (2019). Part of it could appear in a history text: “In the church and at his Catholic day school, the priests called seven the age of reason. Moshom called it the age of learning how the hell to

Winter 2019: In My Reading Log2021-01-06T12:23:29-05:00

Mavis Gallant’s “A Report”

2020-01-29T11:37:44-05:00

On an over-cold winter morning, I was travelling northward on the subway, weary and thinking that I might rather sit than read, when I pulled out In Transit and recognized a familiar figure in the first few lines of this story: it’d  been ages since I’d caught a glimpse

Mavis Gallant’s “A Report”2020-01-29T11:37:44-05:00

Winter 2019-2020: In My Bookbag

2020-03-11T17:29:53-04:00

In which I discuss the skinny books that slip into my bookbag while the heavier, cumbersome volumes (like Ian Urbina’s The Outlaw Ocean and Flannery O’Connor’s letters) stay home. Thirty-eight chapters and under 200 pages: Didier Leclair’s This Country of Mine (2003; Trans. Elaine Kennedy, 2018) issues an

Winter 2019-2020: In My Bookbag2020-03-11T17:29:53-04:00
Go to Top