Joni Murphy’s Double Teenage (2016)

2016-06-16T19:23:24-04:00

Celine and Julie are negotating the borders of girlhood, wandering back and forth across dotted lines and territories both more and less available to them as the years pass. They trade L.M. Montgomery's girlhood classics for "Law and Order" and Our Bodies, Ourselves, while readers follow in their footsteps in narratives which alternately

Joni Murphy’s Double Teenage (2016)2016-06-16T19:23:24-04:00

Nadia Bozak’s Thirteen Shells (2016)

2017-07-20T17:43:52-04:00

It's with a subtle touch, but Nadia Bozak solidly roots the reader in time and place. House of Anansi, 2016 This is not an easy task, because Shell only grows to the age of seventeen in Thirteen Shells -- across thirteen stories, and childhood is inherently rootless. So the details

Nadia Bozak’s Thirteen Shells (2016)2017-07-20T17:43:52-04:00

Ian Colford’s Perfect World (2016)

2021-06-04T15:00:25-04:00

Ian Colford's work has been shortlisted for the Journey Prize, and his first published work was a collection of stories. It's no surprise that he can write succinctly and put a short form to work. Freehand Books, 2016 In 2012, he published his first novel, The Crimes of Hector

Ian Colford’s Perfect World (2016)2021-06-04T15:00:25-04:00

Kingdoms of the Dead

2016-06-10T08:40:34-04:00

Lynda Barry says a “happy ending is hardly important, though we may be glad it’s there”. But there’s more to it, she says: “The real joy is knowing that if you felt the trouble in the story, your kingdom isn’t dead.”* Doubleday Canada, 2015 If one reads a

Kingdoms of the Dead2016-06-10T08:40:34-04:00

John Bart’s Middenrammers (2016)

2016-06-04T15:04:07-04:00

Although Middenrammers is set in 1970s England, it is not the England of English literature which Helene Hanff discovered in 84 Charing Cross Road. Freehand Books, 2016 Nonetheless, the hospital which lies at the heart of the story does have a familiar air to it, for narrator and reader

John Bart’s Middenrammers (2016)2016-06-04T15:04:07-04:00
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