Here and Elsewhere: Shanghai

2020-11-17T12:48:55-05:00

In January 2020, “Here and Elsewhere” was inspired by my desk calendar, created by a Toronto artist (each month with a quotation from the work of an author associated with this city and printed on 100% recycled paper with VOC-free inks),  Cuz we can be inspired to broaden our

Here and Elsewhere: Shanghai2020-11-17T12:48:55-05:00

Amitav Ghosh’s The Ibis Trilogy (2008; 2011; 2015)

2018-06-20T18:00:48-05:00

Can you be trusted to finish a series? My track record with them is spotty, at best. But I'm working hard to improve my reputation. This year, I started and finished reading Amitav Ghosh's trilogy, each volume over 500 pages (but the page-turning sort of pages). Hopefully the other

Amitav Ghosh’s The Ibis Trilogy (2008; 2011; 2015)2018-06-20T18:00:48-05:00

Chinese Girls: In Fiction, In Photos

2017-05-18T10:09:14-05:00

Bette Bao Lord's In the Year of the Boar and Jackie Robinson (1984) opens when Bandit is living in China in her grandparents' home. She is ten years old (nine in Western birthdays) and she is about to learn that she will be going to live in the United States.

Chinese Girls: In Fiction, In Photos2017-05-18T10:09:14-05:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

2017-07-24T14:32:10-05:00

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation2017-07-24T14:32:10-05:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

2017-07-24T14:32:18-05:00

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation2017-07-24T14:32:18-05:00
Go to Top