Wyoming Stories

2020-09-30T14:33:19-05:00

Annie Proulx’s Bird Cloud (2011) immediately invites readers into Wyoming: “The blue-white road twists like an overturned snake showing its belly.” She describes the dust and the sage-brush and how it’s impossible not to think of “old ash-spewing volcanoes” as you move through Wyoming with its powdery soil. “The

Wyoming Stories2020-09-30T14:33:19-05:00

David Bergen’s Here the Dark (2020)

2020-10-06T11:55:50-05:00

My experience reading David Bergen runs the gamut. When I first read The Time in Between, I felt disengaged from the story. Years later, stuck in a waiting room with The Matter with Morris (2010), I recognized layers to his storytelling which I’d missed before. With The Age of

David Bergen’s Here the Dark (2020)2020-10-06T11:55:50-05:00

Mavis Gallant’s “The Fenton Child”

2020-06-19T15:53:33-05:00

“‘Newborn, they’ve got these huge peckers,’ said Mr. Fenton. ‘I mean, really developed.’” When it comes to writing about Mavis Gallant’s short stories, I often want to begin with their first sentences. Sometimes there is such a swell of emotion at the story’s end, a marvelling at how entire

Mavis Gallant’s “The Fenton Child”2020-06-19T15:53:33-05:00

Here and Elsewhere: Copenhagen

2020-06-02T07:36:48-05:00

It’s easy to allow one’s world to get smaller, when one is overwhelmed by some of the sadness and struggle in this world; the opposite is also true, that it’s easy to expand your world under the same set of circumstances. A random spark, like this desk calendar by

Here and Elsewhere: Copenhagen2020-06-02T07:36:48-05:00

Mavis Gallant’s “Jeux d’Ete”

2019-11-13T14:04:05-05:00

Another writer might have titled this story “Summer Games”. But in using a French title, Gallant’s English readers are immediately, if only for a brief moment, inhabiting an unfamiliar place. We have a hint of what’s to come. We are to expect something like the collection’s first story, “By

Mavis Gallant’s “Jeux d’Ete”2019-11-13T14:04:05-05:00
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