In Daisy Hildyard’s The Second Body, she shares this admission: “In a technical way, I believe in climate change, but I do not much act as if I do. (I take flights.) I don’t really inhabit it. I have never bought a book with Climate Change in the title
Adam Wilson’s Sensation Machines (2020) is smart and disturbing, subversive and entertaining. It’s set in an eerily could-be-now New York City: “Headlines warned of rising sea levels and methane emissions. Chronicled the continuing barrage of Weinstein-esque behavior in politics and entertainment. Addressed the uptick in anti-immigration violence in the
Early in November, I attended the premiere of A Word after a Word after a Word is Power, the documentary by Nancy Lang and Peter Raymont, filmed during the final year in which Margaret Atwood was writing The Testaments. It would also turn out to be the last year
There are three things that I noticed in this rereading of The Handmaid’s Tale. The use of time in the narrative. The importance of what is not said. The matter of world-building and perspective. In all three, readers are wholly engaged. Engaged in the use of time, in the
