Shadow Giller: Eric Dupont’s Songs for the Cold of Heart (2012; Trans. Peter McCambridge, 2018)

2018-11-17T16:06:21-05:00

Shadow Giller review contents: In Short, a 300-word and spoiler-free summary, intended to have a broad appeal; In Detail, elaborating on one aspect of the book which I found remarkable (perhaps only interesting for others who have read the book or who have an interest more mechanical aspects of

Shadow Giller: Eric Dupont’s Songs for the Cold of Heart (2012; Trans. Peter McCambridge, 2018)2018-11-17T16:06:21-05:00

January 2018, In My Bookbag

2018-01-25T17:17:13-05:00

In which there is talk of the slim stories which have travelled with me within the city, while bulkier volumes stayed home. Charles Dickens' Bleak House and John Ajvide Lindqvist's Harbor (Translated by Marlaine Delargy) are awkward travelling companions. As are some of the skinnies in my current stack,

January 2018, In My Bookbag2018-01-25T17:17:13-05:00

Mavis Gallant’s “The Rejection” (1969)

2018-01-17T11:56:04-05:00

Mavis Gallant's childhood was not entirely happy. She was not loved as she needed to be loved. It was a painful time. It is difficult to set that awareness aside in reading "The Rejection", even though the story makes it difficult to determine who has been rejected and who

Mavis Gallant’s “The Rejection” (1969)2018-01-17T11:56:04-05:00

The Trickster Story Eden Robinson Had To Write

2017-10-06T09:57:19-05:00

If you've glanced at the union regulations for Native writers, you'd have seen this one coming: Eden Robinson explains that it's a requirement. "It’s also a union regulation as a Native writer that you have to write a Trickster story at least once." (This is from an interview by

The Trickster Story Eden Robinson Had To Write2017-10-06T09:57:19-05:00

Margaret Millar’s A Stranger in My Grave (1960)

2017-05-23T16:24:06-05:00

Here, the figurative language of Millar's 1950s novels (like Vanish in an Instant and  Wives and Lovers) is replaced by a cleaner style which often focuses on extremes. "But Fielding’s pity, like his love and even his hate, was a variable thing, subject to changes in the weather, melting in

Margaret Millar’s A Stranger in My Grave (1960)2017-05-23T16:24:06-05:00