If you are considering whether or not to read Souvankham Thammavongsa’s collection of stories, you probably already know how to do it, how to pronounce the word ‘knife’. Readers of How to Pronounce Knife will not find solutions to age-old problems or innovation; readers will find clarity and acuity,
“‘Newborn, they’ve got these huge peckers,’ said Mr. Fenton. ‘I mean, really developed.’” When it comes to writing about Mavis Gallant’s short stories, I often want to begin with their first sentences. Sometimes there is such a swell of emotion at the story’s end, a marvelling at how entire
In my recent reading, it’s been as much about how the story is told as it’s been about the story itself. This certainly isn’t a new idea—these examples span three decades—but sometimes the phenomenon is more prevalent in my stacks. Maybe you’ve read some of these, or maybe
If only Dr. Dominic Missierna could arrange for a weekly dinner with Charles Filandreux (from “Siegfried’s Memoirs” in Coming Ashore) and Henri Grippes (from “A Painful Affair” in Overhead in a Balloom). Every year weighs heavily on these men, even though the time seems to have passed too quickly
It’s easy to allow one’s world to get smaller, when one is overwhelmed by some of the sadness and struggle in this world; the opposite is also true, that it’s easy to expand your world under the same set of circumstances. A random spark, like this desk calendar by
