There is no great mystery at the heart of Jennifer LoveGrove's debut novel. No simple explanation for the way its pages turn, relentlessly. Emily's story is a quiet story, the ground beneath her feet shifting subtly, though inexorably. In relaying her story to readers, Jennifer LoveGrove makes a series of
"In the lane, I had already lost a boot and fallen on my knees so that now my trousers were soaked and one of my socks was sodden and the bottoms of both my sleeves were freezing against my wrists." Harper Collins, 1990 This is Timothy Findley, writing
Take a clue from the opening sentence. It seems very straightforward, ordinary. But the part with the parkette being like a teardrop turned sideways? Heather Birrell will take what you know and slant it. (And, also, there is some sadness.) "BriannaSusannaAlana" is named for the three sisters who tell the
First time favourites that you might be sick of hearing me rave about*: Nicolas Dickner’s Nikolski (2005) Trans. Lazer Lederhendler, French (2008) Michael Crummey's Galore (2009) Marina Endicott’s Good to a Fault (2008) Monique Roffey's The White Woman on the Green Bicycle (2009) Cynthia Flood’s The English Stories (2009) *These
Margaret Laurence's The Stone Angel McClelland & Stewart, 1964 Virago Modern Classic No. 251 The Afterword in my McClelland & Stewart edition is written by Adele Wiseman, long-time friend of Margaret Laurence, and it contains several long excerpts from the letters exchanged between the writing friends (Adele Wiseman's The Sacrifice and Crackpot
