In which pages are turned, at a faster rate than usual. Character-soaked, but still fast-paced storytelling. Cherie Dimaline's The Marrow Thieves (2017) is set in a future in which the dominant culture has determined that the blood of indigenous peoples holds an inherent value for healing. Exploitation and genocide ensue. This
The thing with an explosion is that it comes out of nowhere. And that's exactly what happens in Alison Watt's debut novel. Even though I knew that the 1917 event was at the heart of this Halifax story, I was completely absorbed in Clare and Fred's ordinary workday at
Do you ever feel the weight of your stack? Many of the books I've been reading have been rigorous and demanding. Commodore Ajith Boyagoda's story of imprisonment in Sri Lanka, Marcelino Truong's memories of coming-of-age in Vietnam between 1961 and 1963, Shirin Ebadi's work for human rights in Iran, Solmaz
Each of these books is penned by an indigenous writer, each considers a great loss, each is powerful on its own terms. Together their stories resonate and amplify readers' understanding of a vitally important issue. Virginia Pésémapéo Bordeleau's novel Winter Child appears to be the simpler tale. One woman's
Many writers suggest that a motivation for telling stories is to set things in order, to make sense of what seems senseless. Little wonder that so many novels are preoccupied with loss and absence, abandonment and grief. In Melanie Mah's The Sweetest One, Chris (Chrysler) Wong thinks maybe she's cursed.
