“'What the hell makes you think,' she said, in her most glacial voice, 'that I am anybody’s victim?'” Soho Press, 2016 Nina's question, in an earlier volume of the series, is ironic in this context: The Considerate Killer begins with two blows to the back of Nina's head
Massacre, killer, murder: when these words appear on a novel's first page, readers are fore-warned. And, yet, the first third of Sara Taylor's Boring Girls (2015) is a coming-of-age story. "It was becoming more and more apparent that I had been right all along. No one could truly understand me, unless they got
It might seem to be, at first glance, a quintessential CanLit passage, a poetic description of the natural world. Linda Leith Publishing, 2016 But the opening passage of The Company of Crows reveals more about Karen Molson's debut novel, than one might think. "Thin grey lines fan out across the
"My main career goal has been to get to go to work every day on something that I'm proud of, with a bunch of people I really like and respect, who make me laugh." Grand Central Publishing - Hachette, 2016 This is Jessi Klein, interviewed by Cosmo, for
Lisa Moore builds folks from the ink up: she is standout at characterization. Groundwood Books, 2016 One of the elements that makes her characters so convincing is the echo effect, the reverberations off seemingly extraneous details (in images, in descriptions, in settings) to construct multi-faceted individuals. Readers who have
