Of course I made a reading list. Then, I saw Vasilly’s list. (You probably already know where this is heading.) Her list has many temptations on it, including some of my favourites. But I have been looking for a reason to read the rest of Kazu Kibuishi’s Amulet series since I
Shani Mootoo sidles up to her story. Random House Canada, 2014 A novel like Padma Viswanathan’s The Ever After of Ashwin Rao is more openly preoccupied with questions of grief and loss. One like Shyam Selvadurai’s The Hungry Ghosts explores family relationships and the passage of time in
David Adams Richards has set many works in the Miramichi, beginning with his classic trilogy (Nights Below Station Street, Evening Snow Will Bring Such Peace, and For Those Who Hunt the Wounded Down), so that the landscape of New Brunswick has become a character in its own right in his
These sentences are dappled across a two-page spread of Mariko and Jillian Tamaki’s This One Summer (2014), as though they are wafts of milkweed ink: House of Anansi, 2014 “The first time I ever saw a milkweed was on the beach at Awago. I thought they were magic
Paradoxically, the phenomenon in The Fever has a chilling effect on characters and readers alike. The girls fall to the ground, one after the next; they writhe and tensions rise but blood is chilled. Little Brown & Company, 2014 “As Deenie walked out, a coolness began to sink
