The cover of The Secret of the Village Fool displays Renné Benoit's gentle style of illustration and invites the reader into an inspiring and powerful tale. But it also shows the anxiety and uneasiness of Milek and Munio, two young boys in their village in Poland during WWII. Their neighbour, Anton,
"If we’re lucky, art can help us through our wolfishness."* And it does, indeed, help Virginia get through her wolfishness. As does her sister, Vanessa. And the painting of Bloomsberry. What's this? A children's book about Virginia Woolf? But we all know how THAT story ends. And, yet,
When I read this, I felt that little tingle you get, as a reader, when you think you've found a perfect match for your reading taste: Little Brown - Reagan Arthur Books, 2012 "It’s like pulling a thread that unravels and unravels. One loose thread, and you can
Just when I was thinking that I've been talking a lot about theme and structure with these stories, and not so much about characterization, along comes a story like "Mrs. Cross and Mrs. Kidd" to make the point. "Mrs. Cross and Mrs. Kidd have known each other eighty years, ever
1961; Dell Publishing, 1975 Maria Gripe's trilogy is just charming. Josephine chooses her own name because the name Anna Grå is too big for her, like a pair of shoes that she needs to grow into. She is six years old. Her blue sweater is getting too small but
