Chinese Girls: In Fiction, In Photos

2023-10-04T11:27:12-04:00

Bette Bao Lord's In the Year of the Boar and Jackie Robinson (1984) opens when Bandit is living in China in her grandparents' home. She is ten years old (nine in Western birthdays) and she is about to learn that she will be going to live in the United States.

Chinese Girls: In Fiction, In Photos2023-10-04T11:27:12-04:00

Mazo de la Roche’s Ringing the Changes (1957)

2021-07-02T16:34:42-04:00

When I first peeked into the Jalna books, I discovered that Mazo de la Roche's biographers depended heavily upon Ringing the Changes, her autobiography, which I was pleased to find in the library. It's that kind of old book whose pages have been turned so often that they are softer

Mazo de la Roche’s Ringing the Changes (1957)2021-07-02T16:34:42-04:00

Margaret Millar’s The Listening Walls (1959; 2016)

2017-03-06T16:21:14-05:00

Although some of the characters in the Margaret Millar mysteries I have read answer their own phones, many answer other people's phones instead: the telephones of older or more privileged relatives or those of their bosses. There's even a switchboard operator in the mix, along with a woman better known

Margaret Millar’s The Listening Walls (1959; 2016)2017-03-06T16:21:14-05:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

2017-07-24T14:32:10-04:00

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation2017-07-24T14:32:10-04:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

2017-07-24T14:32:18-04:00

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation2017-07-24T14:32:18-04:00
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