Straight away, there’s this matter of the quetzal. I know I’ve been puzzled by it before and something about the familiarity that settles like dust when I learn it’s a bird makes me think I’ve learned this before. The quetzal doesn’t stick. I think it’s a old poetic form,
Dirty Work by Eyal Press (2021) landed in my stack following an interview with the New York Times Book Review editor. Its subtitle—Essential Jobs and the Hidden Toll of Inequality in America—summarizes the content aptly, but doesn’t express how un-put-down-able I found this book. Most of the time, when
Boyles, Chen, Clerson, Eunyoung, Li, Ruffin, and So Short Stories in July, August, and September Whether in a dedicated collection or an anthology, these stories capture a variety of reading moods. This quarter, I returned to a favourite writer and also explored seven new-to-me story writers.
Many of the books in my February reading stack also fit with the celebration of independent publishers #ReadIndies hosted by Kaggsy and Lizzy this month: Archipelago Books, QC Fiction, Nimbus Books, Tin House, Duke University Press, and Allery Editions (links below). Later this month, I’ll chat more about independent publications
Spoiler: I absolutely loved Wendy McGrath’s trilogy and it’s one of my 2020 standout reading experiences. In the upcoming Winter issue of Herizons, you can read my review of Wendy McGrath’s final novel in her Edmonton trilogy, Broke City (2019). (Herizons is a Canadian feminist magazine, which I
