House of Anansi, 2013 Astoria Imprint The clear skies and no wind? That's not often true, actually, in Théodora Armstrong's debut collection. The characters herein are faced with stormy conditions and life is in flux. But 100% visibility? That's true: her vision is impeccable, her scope expansive but her
Fly's voice is the ticket which offers admission to Rawi Hage's Carnival. It is not, however, a front row seat. It is a seat to one side, on the margins. But this is where some of the most interesting things can be observed. (Michael Ondaatje set The Cat's Table
The previous volumes in the Ava Lee series sketched her character as slightly as the silhouette in the striking cover designs* but The Red Pole of Macau takes Ava into new emotional territory; it is a worthy addition to the series and has reignited my interest in this character's adventures.
Perhaps Hélène is not a likely hero. She is "only eight years old, a bit florid in colour, with bluish veins on a body that weighed twenty-three kilos, holding back a mind that was always trying to run off to faraway, pitiless realms". Oscar sounds like a more heroic name,
The cover of People Park invites readers to take a walk in another's shoes. See? They're actually right there: the shoes, on the cover, with their laces still tied. But it's not going to be easy to wedge your feet in, not like that. You will have to do
