Jean-Michel Fortier’s The Unknown Huntsman (2014; 2016)

2020-07-30T14:36:07-05:00

In a few weeks, Jean-Michel Fortier’s new novel The Electric Baths will be reviewed in the new issue of World Literature Today, translated by Katherine Hastings. A galloping read populated by an inordinate number of widows and tragic ends. There are some bloody bits but you're caught between gasping

Jean-Michel Fortier’s The Unknown Huntsman (2014; 2016)2020-07-30T14:36:07-05:00

Something for Every Summer Reading Mood (including the new Katrina Onstad)

2020-07-09T13:59:58-05:00

I’m even more likely to pick up dark and disturbing stories when the sun is beating down. This stems to my “discovery” of Stephen King in a teenaged summer, beginning with Night Shift and Skeleton Crew. There I was: lying on my back in the grass behind the rented

Something for Every Summer Reading Mood (including the new Katrina Onstad)2020-07-09T13:59:58-05:00

Here and Elsewhere: San Francisco

2020-06-19T16:36:20-05:00

Everything I knew about cities, when I was a girl, I learned from stories. One novel that stood out for me was Marilyn Sachs’ Amy Moves In, a story which has a family moving into an apartment in a city, where Amy has to start at a new school

Here and Elsewhere: San Francisco2020-06-19T16:36:20-05:00

Here and Elsewhere: Kyoto #HereandElsewhere

2020-06-02T07:36:15-05:00

Welcome to the fourth journey inspired by my desk calendar—first described en route to Copenhagen, then London and Havana. Just this random spark, my curiosity, and my library card: everything I needed to expand my horizons, to counter the inclination to withdraw when the news seemed menacing. But

Here and Elsewhere: Kyoto #HereandElsewhere2020-06-02T07:36:15-05:00

Shadow Giller: Stephen Price’s Lampedusa (2019)

2019-11-15T12:37:31-05:00

There is a line in Stephen Price’s 2016 novel, By Gaslight, which seems to suit his new novel generally: “Everything is about the dead.” And another which seems even more appropriate: “The truth that is found in a story is a different kind of truth, but it is not

Shadow Giller: Stephen Price’s Lampedusa (2019)2019-11-15T12:37:31-05:00
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