No sobbing required: A different kind of animal story

2014-03-20T15:39:43-04:00

Finally: a story about animals that won't leave you in a puddle, heart-broken, swearing off all other animal stories for life. (I won't name them here, because including them in this context is truly spoilerific, but you know the stories I'm referring to. We probably cried in all the same

No sobbing required: A different kind of animal story2014-03-20T15:39:43-04:00

The relationship of your nose to your book: adjust ratio, as required

2012-11-29T15:13:07-05:00

On occasion, I have to wonder if perhaps  my grandmother and great-aunts didn't have a point. How many times did they instruct me that I should not, so often, have my nose in a book. Because sometimes I really wonder how I missed something huge. Like, for instance, Robert Lepage's

The relationship of your nose to your book: adjust ratio, as required2012-11-29T15:13:07-05:00

Ahmad Akbarpour’s That Night’s Train (2012)

2013-03-19T18:45:26-04:00

When life and story intersect: that's where this story takes place. (And isn't that the best place ever to set a story?) Groundwood - House of Anansi, 2012 But, okay, in the beginning, when readers step aboard That Night's Train, they are actually in a railway carriage. "The train

Ahmad Akbarpour’s That Night’s Train (2012)2013-03-19T18:45:26-04:00

Stories of a Mayan Girlhood

2012-11-26T11:26:25-05:00

Rigoberta Menchú Tum is telling the stories of her Mayan girlhood in The Girl from Chimel. (So it turns out that you can discover a Nobel Peace Prize winner by reading a storybook, by dabbling in the backlist of a favourite indie press.) Although born into poverty in

Stories of a Mayan Girlhood2012-11-26T11:26:25-05:00

Wonder and apathy, rage and ambivalence: Girlhood on the page

2012-11-24T17:23:30-05:00

On one hand, I could have counted the books about same-sex romances and suicide that were available to me as a young reader twenty-five years ago. Not that the two themes necessarily coexist in the same work (as they do, for instance, in Skim and Monoceros), but each of the

Wonder and apathy, rage and ambivalence: Girlhood on the page2012-11-24T17:23:30-05:00
Go to Top