In My Stacks: Early 2021

2021-03-01T18:13:28-05:00

Many of the books in my February reading stack also fit with the celebration of independent publishers #ReadIndies hosted by Kaggsy and Lizzy this month: Archipelago Books, QC Fiction, Nimbus Books, Tin House, Duke University Press, and Allery Editions (links below). Later this month, I’ll chat more about independent publications

In My Stacks: Early 20212021-03-01T18:13:28-05:00

Winter 2020: In My Reading Log (Part Two)

2021-01-06T15:14:40-05:00

While I put the finishing touches on the pie-charts and calculations from 2020’s reading log, there are just a couple other books to talk about that I read (mostly) over the holiday break. Ruth Gilligan’s The Butchers’ Blessing (2020) is praised by two writers who snag my attention: Colum

Winter 2020: In My Reading Log (Part Two)2021-01-06T15:14:40-05:00

Here and Elsewhere: Shanghai

2020-11-17T12:48:55-05:00

In January 2020, “Here and Elsewhere” was inspired by my desk calendar, created by a Toronto artist (each month with a quotation from the work of an author associated with this city and printed on 100% recycled paper with VOC-free inks),  Cuz we can be inspired to broaden our

Here and Elsewhere: Shanghai2020-11-17T12:48:55-05:00

Marion Poschmann’s The Pine Islands (2017; Trans. Jen Calleja 2020)

2020-09-29T17:31:26-04:00

Marion Poschmann’s The Pine Islands (2017; Trans. Jen Calleja 2020) was shortlisted for the International Booker Prize in 2019. The jury describes it like this: “A quirky, unpredictable and darkly comic confrontation with mortality.” Her first book was published in Germany in 2002 and, since, her work has been

Marion Poschmann’s The Pine Islands (2017; Trans. Jen Calleja 2020)2020-09-29T17:31:26-04:00

Jean-Christophe Réhel’s Tatouine (2018; Trans. Katherine Hastings & Peter McCambridge, 2020)

2020-09-30T08:44:22-04:00

Jean-Christophe Réhel’s Tatouine is every bit as remarkable as QC Fiction’s earlier offerings. Other QC Fiction titles are reviewed here (if you enjoy a wickedly operatic story), here (if you prefer to feel a little heart-broken for a long while), here (if you wonder what it would be like

Jean-Christophe Réhel’s Tatouine (2018; Trans. Katherine Hastings & Peter McCambridge, 2020)2020-09-30T08:44:22-04:00
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