The Ursula K. Le Guin Prize for Fiction lodged in my mind because I really loved its inaugural winner: Kadija Abdalla Bajaber’s The House of Rust when I first read it. Bill and I read it again earlier this year, while anticipating the announcement of this year’s shortlisted books.
Ibram X. Kendi’s Stamped from the Beginning (2016) is a doorstopper of a book that grew out of his desire to write an introductory chapter to a book about Black Studies programs in American (i.e. in the United States) universities and colleges. When his chapter was 90 pages long,
It occurred to me to keep The Enlightenment of Katzuo Nakamatsu as a novella for November. But when I was rushing to leave the house one afternoon, and returned because I’d forgotten my wallet, I slipped TEoKN into my bag on a whim. So, naturally that’s what I read
Last year I read 11 of the longlisted titles for The Carol Shields Prize for Fiction and with the recent announcement of the 2024 longlist I was prompted to reflect on 2023’s selections. Three of the short story collections I’ve already written about—Talia Laksmni Kolluri’s What We Fed to
This year, I’ve been reading backlisted titles I’ve missed along the way. These are mostly well-known titles by established writers, which is why they’re still occupying library space; of these ten, only the two from small presses (named) might be difficult to find overseas. They also lean towards international
