Simon & Schuster, 2014 Just as one character follows another's gaze, readers of Deryn Collier's mysteries will find their perspective shifting. "The cafe was starting to fill with lunch customers. Duke Forsberg stayed in place, rolling his now-empty coffee cup between his meaty hands. He stared straight ahead
Random House, 2013 The slippery question of time is often posed on the page. And with books, it’s different. In music, listeners are engaged at a pace dictated by the composer’s notation, beats counted as the bars pass, the audience arriving synchronously at the end of the piece.
When I pointed out Matadora to a friend in a bookstore last weekend, she scrunched her nose. "Who wants to read a book about bullfighting?" Well, readers might turn to Elizabeth Ruth's third novel for many other reasons. (So, if you're scrunching your nose too, please read on.) First, she was mentored
Before I began reading Bone and Bread, I read Mother Superior, Saleema Nawaz's debut, a collection of stories. House of Anansi, 2013 About "Bloodlines", I noted: "S keeps Khalsa (pure, according to Sikh law) and B does not, so B grows larger and S grows smaller, above a Montreal bagel
Romola sang soprano, but perhaps an opera singer's life after she has retired is, by definition, incidental music. Or, perhaps the fragments of memory that swell and break for a 70-something woman living with dementia are incidental music. Or, the lost love she half-recalls? Maybe that is incidental. Inanna
