My experience reading David Bergen runs the gamut. When I first read The Time in Between, I felt disengaged from the story. Years later, stuck in a waiting room with The Matter with Morris (2010), I recognized layers to his storytelling which I’d missed before. With The Age of
Jean-Christophe Réhel’s Tatouine is every bit as remarkable as QC Fiction’s earlier offerings. Other QC Fiction titles are reviewed here (if you enjoy a wickedly operatic story), here (if you prefer to feel a little heart-broken for a long while), here (if you wonder what it would be like
Adam Wilson’s Sensation Machines (2020) is smart and disturbing, subversive and entertaining. It’s set in an eerily could-be-now New York City: “Headlines warned of rising sea levels and methane emissions. Chronicled the continuing barrage of Weinstein-esque behavior in politics and entertainment. Addressed the uptick in anti-immigration violence in the
In a few weeks, Jean-Michel Fortier’s new novel The Electric Baths will be reviewed in the new issue of World Literature Today, translated by Katherine Hastings. A galloping read populated by an inordinate number of widows and tragic ends. There are some bloody bits but you're caught between gasping
Everything I knew about cities, when I was a girl, I learned from stories. One novel that stood out for me was Marilyn Sachs’ Amy Moves In, a story which has a family moving into an apartment in a city, where Amy has to start at a new school
