Jean-Christophe Réhel’s Tatouine (2018; Trans. Katherine Hastings & Peter McCambridge, 2020)

2020-09-30T08:44:22-04:00

Jean-Christophe Réhel’s Tatouine is every bit as remarkable as QC Fiction’s earlier offerings. Other QC Fiction titles are reviewed here (if you enjoy a wickedly operatic story), here (if you prefer to feel a little heart-broken for a long while), here (if you wonder what it would be like

Jean-Christophe Réhel’s Tatouine (2018; Trans. Katherine Hastings & Peter McCambridge, 2020)2020-09-30T08:44:22-04:00

Adam Wilson’s Sensation Machines (2020)

2020-09-29T17:30:48-04:00

Adam Wilson’s Sensation Machines (2020) is smart and disturbing, subversive and entertaining. It’s set in an eerily could-be-now New York City: “Headlines warned of rising sea levels and methane emissions. Chronicled the continuing barrage of Weinstein-esque behavior in politics and entertainment. Addressed the uptick in anti-immigration violence in the

Adam Wilson’s Sensation Machines (2020)2020-09-29T17:30:48-04:00

Jean-Michel Fortier’s The Unknown Huntsman (2014; 2016)

2020-07-30T14:36:07-04:00

In a few weeks, Jean-Michel Fortier’s new novel The Electric Baths will be reviewed in the new issue of World Literature Today, translated by Katherine Hastings. A galloping read populated by an inordinate number of widows and tragic ends. There are some bloody bits but you're caught between gasping

Jean-Michel Fortier’s The Unknown Huntsman (2014; 2016)2020-07-30T14:36:07-04:00

Here and Elsewhere: San Francisco

2020-06-19T16:36:20-04:00

Everything I knew about cities, when I was a girl, I learned from stories. One novel that stood out for me was Marilyn Sachs’ Amy Moves In, a story which has a family moving into an apartment in a city, where Amy has to start at a new school

Here and Elsewhere: San Francisco2020-06-19T16:36:20-04:00

Mavis Gallant’s “Mlle. Dias de Corta”

2020-06-01T19:46:20-04:00

When Robert’s mother observes Alda’s signature and recognizes the pride and secrecy in its long loops and closed As, I think about the handwriting course that Mme Brounet took in Dédé. But I also think of Mavis Gallant writing long-hand and the hours she spent studying her own cursive

Mavis Gallant’s “Mlle. Dias de Corta”2020-06-01T19:46:20-04:00
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