As an only child, my fascination with large families in fiction stretches back to the Marches, the Moffats and the All-of-a-Kinds. More recently, Jennifer Close's The Smart One and Jami Attenberg's The Middlesteins catapulted me into chaotic family-soaked gatherings (the latter was one of my favourite reads in 2013). Grand Central Publishing, Hachette Book Group,
Alfrida's apartment is crowded. “'I know I’ve got far too much stuff in here,' she said. 'But it’s my parents’ stuff. It’s family furnishings, and I couldn’t let them go.' The story about her parents, the loss of her mother, the other family with whom she visits only half-heartedly after
It's possible that the readers who will warm most fervently to The Wondrous Woo are those readers who feel a connection with a passage like this: Inanna Publications, 2013 "The first episode had come after an incident at the Woolco cafeteria when I was ten. It was $1.44
At the beginning of the novel, where an epigraph might appear, is a note from the author, explaining that Uglies was shaped by a series of email exchanges between Scott Westerfeld and author Ted Chiang about his story “Liking What You See: A Documentary”. At the end of Ted Chiang's
The word 'goodish' entered my vocabulary thanks to an observation that Carol Shields makes of two female friends in The Republic of Love. (General increased usage of -ish also ensued.) "They love the word ‘goodish,’ as in goodish sunsets, goodish travel bargains, goodish men." The title and cover of Suzanne Sutherland's When
