Iris Murdoch’s Under the Net (1954) and The Sandcastle (1957)

2018-01-29T17:02:50-05:00

The winter months are good reading months for me, especially when snug indoors with a view of the snowy cityscape. I've been reading more than I've been reviewing here, so here's a peek into the recent stacks. Iris Murdoch’s Under the Net (1954) and The Sandcastle (1957) were read with

Iris Murdoch’s Under the Net (1954) and The Sandcastle (1957)2018-01-29T17:02:50-05:00

Louise Erdrich’s The Beet Queen (1985)

2018-01-17T15:28:33-05:00

The longer the books in the Love Medicine cycle, the harder it is to recall that Louise Erdrich began with short fiction, stories which linked, interconnected, taking their own time to draw in their circles before spiralling outward once more. Tracks and Four Souls were slim volumes, but readers

Louise Erdrich’s The Beet Queen (1985)2018-01-17T15:28:33-05:00

Mavis Gallant’s “Madeline’s Bithday” (1951)

2018-01-23T14:39:25-05:00

In “Madeline’s Birthday”, the sadness slips to the background, like it does in an Elizabeth Taylor story, with a hint of darkness besides. Madeline is a guest in the Tracy family’s summer home, and her seventeenth birthday affects every resident. Readers briefly inhabit the perspective of most inhabitants (even

Mavis Gallant’s “Madeline’s Bithday” (1951)2018-01-23T14:39:25-05:00

Page Turners: Thieves, Bombs, Predators, Gunshots, and Oil Spills

2017-12-12T12:09:52-05:00

In which pages are turned, at a faster rate than usual. Character-soaked, but still fast-paced storytelling. Cherie Dimaline's The Marrow Thieves (2017) is set in a future in which the dominant culture has determined that the blood of indigenous peoples holds an inherent value for healing. Exploitation and genocide ensue. This

Page Turners: Thieves, Bombs, Predators, Gunshots, and Oil Spills2017-12-12T12:09:52-05:00

Andrée A. Michaud’s Boundary (2014; 2017)

2017-11-17T17:23:26-05:00

Boundaries and borders, between countries and between stages of life: Andrée A. Michaud's Boundary darts across the dotted lines, back and forth, sedately in one moment and chillingly the next. Because the story revolves around the murders of two young women in the small community of Bondrée, questions of

Andrée A. Michaud’s Boundary (2014; 2017)2017-11-17T17:23:26-05:00
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