As a fan of Carrie Snyder's The Juliet Stories, I was wriggling in my seat over the mere idea of Girl Runner. But then the anxiety crept in: there would be no Juliet, and perhaps much of the magic was hers. Just as the same river can't be stepped in twice, an
Crimes of the past lurk beneath the stories in Ian Weir's Will Starling and Linden MacIntyre's Punishment and the main characters lurch towards and stumble into confrontations and altercations with life-long repercussions. Goose Lane Editions, 2014 These are both dark tales, but Ian Weir's novel is literally and figuratively so: "And
Neverhome is set in the years of the American Civil War and narrated by a fledgling letter-writer. She has survived the conflict and adopted this strange chore of authoring. Little, Brown and Company, 2014 "When I’d eaten up my given share of a day I’d take up my pen
In discussing the different kinds of love which the Vietnamese language distinguishes between, Kim Thúy's Ru lists thích, which means "to love by taste". Random House Canada, 2014 (One may also love without being in love (thuong), love passionately (yêu), love ecstatically (mê), love blindly (mù quáng), or love gratefully (tình nghīa)
It begins in fog. With Matthew Sweetland hearing voices "so indistinct he thought they might be imaginary". Doubleday Canada, 2014 This scene from the past alerts readers that they should be concerned with the line between the real and the invented, and even more to the point, with how
