"Let me say, with the risk of appearing ridiculous that the true revolutionary is guided by strong feelings of love. It is impossible to think of an authentic revolutionary without this quality." Love is the primary force, not only in the events of Fiesta of Love, but in Suzan Hill's
I've read some remarkable short story collections this year: Théodora Armstrong's Clear Skies, No Wind, 100% Visibility, Ayelet Tsabari's The Best Place on Earth, Saleema Nawaz's Mother Superior, Richard van Camp's Godless But Loyal to Heaven, Miranda Hill's Sleeping Funny, and Paul Headrick's The Doctrine of Affections. Three more collections have captured
Readers have an elevated view of the events in Cary Fagan's A Bird's Eye. "Over streets, over the buildings of the university with the zigzag pattern on their roofs, over the playing fields towards the downtown." And, yet, readers glimpse, in the opening chapters, all the characters necessary for an
"The more I write, the more I discover that the partition between real and invented is as thin as a wall in a cheap hotel room." So says Jeanette Winterson, but thinking of Mary Novik's novel Muse, one might think the partition as thin as the pope's bedroom chamber curtain.
Oh, the trees! If you, like me, grew up with Anne and Emily naming and loving trees in L.M. Montgomery's novels, you will love Hilary Scharper's novel Perdita. Touchstone - Simon & Schuster, 2013 There are many other reasons to respond to this story: a love of history,
