Week Three: Update and Check-In #MARM2025

2025-11-15T18:37:34-05:00

It’s been a quiet week for MARMers, with the rush of Week One behind us and the seemingly possibility-soaked remaining weeks in November awaiting, although Andrew has posted about Cat’s Eye (1988). He also included two early MARM links at the end, so you can also read about Bill’s

Week Three: Update and Check-In #MARM20252025-11-15T18:37:34-05:00

Margaret Atwood’s Old Babes in the Wood, “Freeforall” #MARM2025

2025-11-10T12:16:56-05:00

“Surfacing changed a lot. Bodily Harm was a pretty fast write. Handmaid’s Tale was a fast write. Lady Oracle took me a long time because there are so many people and it’s complex. I think Surfacing changed the most from beginning to end.” “Freeforall” leaves me craving an in-a-nutshell

Margaret Atwood’s Old Babes in the Wood, “Freeforall” #MARM20252025-11-10T12:16:56-05:00

Week Two #MARM2025: Update and Check-In

2025-11-07T19:25:36-05:00

It’s been a MARMvellous week indeed, with several in our cosy group already posting about their reading: Bill has reached farthest back into MA’s chronology with Lady Oracle; Rebecca has read The Penelopiad; Kaggsy both Dearly and “Cut & Thirst”; and Bron joined in with “Death by Clamshell”. Beyond

Week Two #MARM2025: Update and Check-In2025-11-07T19:25:36-05:00

Margaret Atwood’s The Blind Assassin (2000) Parts I-IV #MARM2025

2025-11-06T09:38:11-05:00

“It’s November; it’s almost bedtime”—in autumn 1919, when older Iris remembers reading her ABCs as a child, and determines that she’s never been the kind of person who could drive off a bridge. Neither she nor her mother was that sort, but her father could have and, it seems

Margaret Atwood’s The Blind Assassin (2000) Parts I-IV #MARM20252025-11-06T09:38:11-05:00
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