Mazo de la Roche’s Finch’s Fortune (1955)

2024-07-19T11:08:33-04:00

“With her book, her roses and her cake she was separated from the other members of the family in a kind of frosty seclusion.” Alayne’s frosty seclusion doesn’t sound all that bad, does it? But the point is that Alayne feels her separateness. And that's not always comfortable. Nor

Mazo de la Roche’s Finch’s Fortune (1955)2024-07-19T11:08:33-04:00

Mavis Gallant’s “New Year’s Eve” (1970)

2018-08-27T10:32:51-04:00

Amabel is just a few years older than young Shirley, who lost her young husband Pete when they were newlyweds in “The Accident”; barely married, not yet disappointed. Had Amabel and Shirley been friends, able to discuss their brief experiences of married life, I wonder how their opinions might

Mavis Gallant’s “New Year’s Eve” (1970)2018-08-27T10:32:51-04:00

Mavis Gallant’s “The Accident” (1967)

2018-08-14T18:29:52-04:00

It’s as if Billy, from “The End of the World”, had heard the tragic story of Shirley and Pete Higgins and used it to justify his reluctance to leave Canada. Unlike Billy, Shirley and Pete were thrilled to honeymoon in Europe, thrilled by all the ordinary things made extraordinary

Mavis Gallant’s “The Accident” (1967)2018-08-14T18:29:52-04:00

Australian Women Writers Challenge 2018

2018-08-01T13:53:16-04:00

"The AWW challenge was set up to help overcome gender bias in the reviewing of books by Australian women. The challenge encourages avid readers and book bloggers, male and female, living in or outside Australia, to read and review books by Australian women throughout the year. You don’t have

Australian Women Writers Challenge 20182018-08-01T13:53:16-04:00
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