Last year, I was inspired by a local artist’s desk calendar to explore a series of cities in my reading. This year I’ve been exploring migration and lives in motion: often involuntary, frequently devastating, sometimes inspiring. This sense of between-ness reminds me of this passage in a 2021 debut
This year I’ve been reading more non-fiction than usual. It’s not that I’ve been trying, it’s only that I’ve allowed my curiosity to access my holds queue. When I have questions after I’ve finished a novel, I’ve allowed myself to wander more than usual. It’s created an interesting rhythm
“It is August now, towards the end, and the weather can no longer be trusted.” The gentle rhythm in MacLeod’s sentence is responsible for its being a favourite of mine. Such an ordinary opening to such a startlingly subversive –and topical—story. With the findings of the IPCC report and
Those of you who are reading here now, but not reading Alistair MacLeod’s short stories, will probably only be interested in the first couple of paragraphs after this introduction. Feel free to skip past the section that I've titled The Underneath, written with those who know the story-or other
Earlier this year, Karen and Lizzy hosted ReadIndies and it reminded me how many years had passed since an installment of my Fiercely Reading Indie project (the most extensive was my deep-dive into House of Anansi’s backlist). Maybe I’d slipped into devotedly reading from the Big Five, I wondered.
