The reader moves onto the floor with great excitement, turning the initial pages of a debut novel, heartbeat slightly accelerated, hopes and expectations heightened. It is a dance: this movement between reader and story. Alice Simpson's Ballroom takes that connection seriously. HarperCollins, 2014 The very structure of the
Although I always have a small stack of books underway, I have carried to extremes this act of multi-booking this summer. Yesterday I finished Michael Crummey’s new novel (Sweetland), Alison Wearing’s memoir (Confessions of a Fairy’s Daughter), Jan Zwicky’s poetry collection, the second volume in the Fruits Basket manga series,
David Adams Richards has set many works in the Miramichi, beginning with his classic trilogy (Nights Below Station Street, Evening Snow Will Bring Such Peace, and For Those Who Hunt the Wounded Down), so that the landscape of New Brunswick has become a character in its own right in his
It doesn’t get much more obvious than stacking these truths on the book jacket: there it is. Knopf Canada, 2014 The Confabulist Steven Galloway For even though the noun more commonly associated with ‘confabulate’ is ‘confabulation’, what is most important here is not the story itself but the
Runaway readers cannot run away from the book after turning the final page. Instead, they have to burrow in. Much like "Vandals" in 1994's Open Secrets and the title story in 2012's Dear Life, "Powers" is one of those closing stories that sends readers rushing back to the beginning.
