More in Anger: Delicate and Brutal

2014-07-11T15:52:06-04:00

When readers meet Opal, the first of three narrators in J. Jill Robinson's More in Anger, she is stitching her wedding dress and veil. Thomas Allen & Son, 2012 "Every once in a while one of the ring's claws caught on the veil's netting, and Opal carefully released

More in Anger: Delicate and Brutal2014-07-11T15:52:06-04:00

Bearing: Everybody Has Everything

2020-04-28T17:46:12-04:00

Ana is a research lawyer, and a wife: she has not had everything. McClelland & Stewart, 2012 (Emblem Editions) This is not all bad. Because she has not had a child, she has not had occasion to conceal the responsibilities of motherhood from her employers, she has enjoyed the

Bearing: Everybody Has Everything2020-04-28T17:46:12-04:00

Weighted: The Imposter Bride

2020-09-16T16:00:46-04:00

It is a basic human need.  “Our need to know where we come from, to connect it to who we are and where we’re going.” Harper Collins, 2012 Ruth becomes aware of this need, first, when she is six years old, but that is just the beginning. It

Weighted: The Imposter Bride2020-09-16T16:00:46-04:00

Sigrid Undset’s Kristin Lavransdatter (1920-22)

2014-03-17T15:33:26-04:00

Acts of violence and devotion, rape and worship, funerals and betrothals, love-scenes and convent-life, adultery and illness: this medieval saga has so many facets to it that I was not expecting. Not the least of which being that it gripped my attention more tightly than any of the contemporary novels

Sigrid Undset’s Kristin Lavransdatter (1920-22)2014-03-17T15:33:26-04:00

Anne Enright’s The Forgotten Waltz (2011)

2020-07-30T14:25:24-04:00

If only the word 'waltz' appeared like a stain on the sheets -- this would be the perfect cover image. For now, Gina Moynihan stands back and looks at the bed that she and Seán Vallely shared, and it's a messy sight. Messy, but still fresh: you can see the indents

Anne Enright’s The Forgotten Waltz (2011)2020-07-30T14:25:24-04:00
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