A few weeks ago, I mentioned how much Naomi’s Atlantic Canada reading has impacted the books in my stacks. (Check out her project here, along with pages dedicated to the Halifax Explosion and regional literary awards on Consumed by Ink.) When I reach for another book set in Toronto
My experience reading David Bergen runs the gamut. When I first read The Time in Between, I felt disengaged from the story. Years later, stuck in a waiting room with The Matter with Morris (2010), I recognized layers to his storytelling which I’d missed before. With The Age of
Adam Wilson’s Sensation Machines (2020) is smart and disturbing, subversive and entertaining. It’s set in an eerily could-be-now New York City: “Headlines warned of rising sea levels and methane emissions. Chronicled the continuing barrage of Weinstein-esque behavior in politics and entertainment. Addressed the uptick in anti-immigration violence in the
In a passage near the end of “Let It Pass”, Steven observes the precarious nature of memory. He openly acknowledges its fallibility: “I have probably altered my recollection of that moment, changed its shape, refined it, as I still sometimes will tinker with shreds of a dream.” So when
No need to debate the significance of the Oxford comma here—there’s no ‘and’ to stir the pot. One could easily mis-identify the story and add the conjunction. But this is not a story about a set of accessories. It is about a series of another sort. A series of
