Shadow Giller: Steven Price’s Lampedusa (2019)

2021-01-19T12:46:48-05:00

There is a line in Steven Price’s 2016 novel, By Gaslight, which seems to suit his new novel generally: “Everything is about the dead.” And another which seems even more appropriate: “The truth that is found in a story is a different kind of truth, but it is not

Shadow Giller: Steven Price’s Lampedusa (2019)2021-01-19T12:46:48-05:00

Mavis Gallant’s “In Italy”

2019-11-01T15:16:13-04:00

He’s middle-aged and the father of a grown woman the same age: no wonder Stella thought Henry was a catch, a great romance. Really? A catch? Did Stella really think so? And, even if she did, at one time, once she met his daughter, Peggy, in person, did Stella

Mavis Gallant’s “In Italy”2019-11-01T15:16:13-04:00

Mavis Gallant’s “Lena” (1983)

2019-08-07T11:04:39-04:00

Don’t be fooled: it’s still about Magdalena. Except she is called Lena by the “half a dozen widows of generals and bereft sisters of bachelor diplomats”. They “crowd her bedside table” – Magdalena’s/ Lena’s bedside table – with “bottles of cough mixture, lemons, embroidered table napkins, jars of honey,

Mavis Gallant’s “Lena” (1983)2019-08-07T11:04:39-04:00

Mavis Gallant’s “The Colonel’s Child” (1983)

2019-08-02T18:20:00-04:00

Here readers return to the story of the man who married Magdalena, to “save” her during the war and who, then, married the colonel’s daughter, Juliette. He is Edouard, the poet, but I persist in my belief that he is the character whom author Henri Grippes’ based on his

Mavis Gallant’s “The Colonel’s Child” (1983)2019-08-02T18:20:00-04:00
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