In which there is talk of the slim stories which have travelled with me within the city. While bulkier volumes stayed home. Like Robertson Davies' Murther and Walking Spirits (1991). And Nazanine Hozar's Aria (2019). These are awkward travelling companions: thick and heavy But some of the skinnies in
The family stories in contemporary CanLit are not all that different from the stories and novels read by my grandmother’s generation. The women in my family did not read obsessively, no, but regularly, yes. What else was there to do in the evenings when your favourite show was in reruns
There are a lot of lonely characters in CanLit: just think about all that snow, how starkly a single shape stands out in relief against the “great northern woods and in the empty places of the earth”. (I’ve recently read Louis Hémon’s snow-soaked 1921 classic, Maria Chapdelaine, translated by
June is at the heart of this collection of stories; she is the link, the thread of light through a series of dark scenes. She is our guide to the ‘burbs: “The picture perfect suburban dream with the groomed lawns, nine-to-five jobs, 2.5 children kind of places. Domino effect.
Whether or not it's 50%, there is a part of Michael Redhill who is Inger Ash Wolfe; he has published four mysteries using this pseudonym. And, so, there is certainly some Michael Redhill, in Hazel Micallef, too. Hazel being the heroine of that series. But she's a character, you
