Mireille Silcoff’s Chez L’Arabe (2014)

2017-07-24T15:11:50-04:00

Weeks after reading these stories, a glance at the table of contents brings back their characters and arcs in a moment. (With "Flower Watching" and "Eskimos" I also required the aid of the characters' names I'd noted.) These stories stood out, not only as independent narratives but, simultaneously, for the

Mireille Silcoff’s Chez L’Arabe (2014)2017-07-24T15:11:50-04:00

Kim Thúy’s Mãn (2013)

2024-09-03T11:45:29-04:00

In discussing the different kinds of love which the Vietnamese language distinguishes between, Kim Thúy's Ru lists thích, which means "to love by taste". Random House Canada, 2014 (One may also love without being in love (thuong), love passionately (yêu), love ecstatically (mê), love blindly (mù quáng), or love gratefully (tình nghīa)

Kim Thúy’s Mãn (2013)2024-09-03T11:45:29-04:00

Mark Lavorato’s Serafim and Claire (2014)      

2014-12-08T08:25:58-05:00

Mark Lavorato’s debut novel is aptly titled as the novel is equally divided between these two characters, a young woman who dances on stage and a young man who takes photographs on the streets. Through them, readers experience Montreal of the 1920s, from vaudeville to fascism, and women’s rights to

Mark Lavorato’s Serafim and Claire (2014)      2014-12-08T08:25:58-05:00

Daughters, Mothers: Half-Formed and Otherwise

2014-09-30T18:27:34-04:00

Eimear McBride's A Girl Is a Half-Formed Thing (2014) Reading. Then Not. Simon & Schuster, 2014 Sharp sentences. Jabbing thoughts. Unkindnesses bearing down. Book, set aside. Pause. And here is where the experience of reading A Girl Is a Half-Formed Thing may end for many readers. Some, however,

Daughters, Mothers: Half-Formed and Otherwise2014-09-30T18:27:34-04:00

Heather O’Neill’s The Girl Who Was Saturday Night (2014)

2014-10-07T15:10:37-04:00

When a passage on page two is just breathtakingly powerful, readers’ expectations soar. It seems impossible to imagine reading beyond this passage without stopping to reread, or not reading it aloud to a friend sitting alongside, or not tapping the stranger sitting next to you, pointing and saying “Check this out”.

Heather O’Neill’s The Girl Who Was Saturday Night (2014)2014-10-07T15:10:37-04:00
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