Joshua Ferris' Then We Came to the End Little Brown, 2007 One might accuse writers like Doug Harris and Joshua Ferris of trying to be clever in having chosen unusual narrative perspectives for their novels: You comma Idiot is told in the second-person and Then We Came to the End
Banana Yoshimoto's Hardboiled and Hard Luck (1999) Trans. from the Japanese by Michael Emmerich (2005) This is the last of Banana Yoshimoto's works that have been translated into English that I had to read; if it had been the first of her works that I'd read, I don't think I'd
Sherman Alexie's The Absolutely True Diary of a Part-time Indian (2007) Art by Ellen Forney Little Brown, 2009 A few years ago I saw Sherman Alexie at a ridiculously underattended reading in a small Toronto bookstore on a fine Friday night in summer. I remember wondering if there wasn't something
Remember how I said that I started reading these stories because I wanted to get ahead of the reading game? That The New Yorker's list of 20Under40 was kind of a random pick for me to try to redirect my habit of ignoring similar lists (yes, I even mentioned Granta's
Joshua Ferris "The Pilot" Summer Fiction: 20 Under 40 June14/21 "The New Yorker" Joshua Ferris' first novel, was published in 2007 (And Then We Came to the End), and his second (The Unnamed) earlier this year. Unlike most people, I've read his second but not his first (although I hope to
