Just when my thoughts were etching a loop as I struggled to describe Madeleine Thien’s new novel, The Book of Records, I came across this Joy Williams quotation*: “What good stories deal with is the horror and incomprehensibility of time, the dark encroachment of old catastrophes.” That is, indeed,
Sometimes the books that affect us most profoundly are the most difficult to write about; this has been the case for me, with Wendy McGrath’s poems in The Beauty of Vultures, which was published in April this year—a collaborative work with photographer (and musician) Danny Miles. Not a week
Earlier in June, I was saying that I had read another seven books towards this challenge, and here they are. By Ojibwe/Cree, Dene/Métis, Swampy Cree-Beaver Clan of the Opaskwayak Cree Nation, Secwépemc, Haisla/Heiltsuk, Couchiching First Nation/Ojibwe] authors. Nope, I’m not deliberately selecting different nations; that’s happening by-the-by. For those
Today, talk of six books by Indigenous writers, including a novel, an illustrated children’s book, two books of poetry, and two books of non-fiction. These are works by Binnizá & Maya Ch'orti', Cree-Métis, Kanien’kehá:ka Ahkwesáhsne /Mohawk St. Regis, Kanien’kehá:ka, Wakeniáhton (Turtle Clan), and Mandan, Hidatsa & Arikara/Tsimshian writers.
Earlier this month—with Indigenous History Month in mind—I wrote about Thomas King’s latest Thumps Dreadfulwater mysteries, and my theme of Indigenous reading for this year’s Toronto Public Library Reading Challenge, including seven books by Indigenous writers that align with challenge themes. Now, on the other side of Indigenous Peoples’
