Some writers might take a book to do it. Carol Shields did, in Swann. Timothy Findley did, in The Wars. 1990; Penguin, 1991 Alice Munro takes a short story to build a life from fragments left behind. In this case, in "Meneseteung", the fragments are culled from a
"One day we were driving around in the country not too far from where we live, and we found a road we hadn't known about." Random House, 2012 He is eighty-three and she is seventy-one: there has been some discussion of death. (There has been some discussion of
"To Reach Japan" begins with a departure and ends with an arrival. McClelland & Stewart - Random House, 2012 That is not commonly how it goes, but it's not unusual in the territory of Alice Munro's stories, which often begin in the present and work backwards to the
Nicholas Ruddock's The Parabolist Doubleday, 2010 It's ironic. One of the women in Nicholas Ruddock's novel is thinking about the heroines of Emma Bovary and Anna Karenina. "Look at all those passionate women, the ones in novels, the ones who wore their hearts on their sleeves," she says. "They all
Click Melissa Nucera's beautiful image for the Once Upon a Time Challenge Site For the past several Saturdays I have been writing about kidlit and the YA novels that Lizzie Skurnick's Shelf Discovery: The Teen Classics We Never Stopped Reading inspired me to re-read. (I love re-reading, but
