In a few weeks, Jean-Michel Fortier’s new novel The Electric Baths will be reviewed in the new issue of World Literature Today, translated by Katherine Hastings. A galloping read populated by an inordinate number of widows and tragic ends. There are some bloody bits but you're caught between gasping
Taraghi, Levy, Hébert, Gallant and King Short Stories in April, May and June Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to three favourite writers and also explored two new-to-me story writers.
The title of Pasha Malla’s 2015 article in The New Yorker’s Page-Turner says it all: “Too Different and Too Familiar: The Challenge of French-Canadian Literature.” Because it is a challenge to locate French-Canadian literature within the landscape of Canadian Literature, even for those of us who devote a significant
If you are reading this post because you are part of the #1965Club, and you haven’t heard of Marie-Claire Blais, you are about to wonder how that can be true. (And if you also haven't heard of #1965Club, please visit Karen's and Simon's sites to learn more.) Blais has published
In which I read, while sitting in a café, in a library and in various TTC stations. While longer volumes, like Charles Palliser’s The Quincunx and Andrew Miller’s Now We Shall Be Entirely Free, stay at home. Charles Quimper’s In Every Wave (2017; Trans. Guil Lefebvre, 2018) Narrated by