On Michael Helm’s After James (and other puzzling novels)

2017-02-01T12:54:29-05:00

"Perhaps the most brave and honest review of After James should restrict itself to two words: Read it." Could be that Angie Abdou got it right, when she reviewed Michael Helm's After James and concluded with this. McClelland & Stewart, 2016 But she did a fine job of

On Michael Helm’s After James (and other puzzling novels)2017-02-01T12:54:29-05:00

Quarterly Stories: Three Collections

2019-03-20T14:34:52-04:00

In Susan Hill's Howard's End Is on the Landing, she quotes a friend who says "We read Margaret Drabble to feel the zeitgeist, our daughters read Helen Simpson." (Their daughters' daughters might be reading Janine Alyson Young or Alex Leslie or Rivka Galchen or Eufemia Fantetti.) In the first story

Quarterly Stories: Three Collections2019-03-20T14:34:52-04:00

The Promise Falls Trilogy

2017-01-06T11:04:07-05:00

Promise Falls has a history. You might not think so, but it matters. “Are we too insignificant up here: A couple of hours away from New York? Is that what we’re foolish enough to think? Let me tell you something, my friend. You want to strike fear into the hearts

The Promise Falls Trilogy2017-01-06T11:04:07-05:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

2017-07-24T14:32:10-04:00

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation2017-07-24T14:32:10-04:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

2017-07-24T14:32:18-04:00

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation2017-07-24T14:32:18-04:00
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