Mavis Gallant’s “In Italy”

2019-11-01T15:16:13-04:00

He’s middle-aged and the father of a grown woman the same age: no wonder Stella thought Henry was a catch, a great romance. Really? A catch? Did Stella really think so? And, even if she did, at one time, once she met his daughter, Peggy, in person, did Stella

Mavis Gallant’s “In Italy”2019-11-01T15:16:13-04:00

Mavis Gallant’s “By the Sea” (1988)

2019-10-23T15:35:51-04:00

“No one is either fully good or fully bad in a Gallant story; her characters are more interesting than that, Gallant is neither a moralist nor a polemicist,” explains Jane Urquhart in the introduction to the Penguin paperback edition of this 1988 collection of stories. In the opening story,

Mavis Gallant’s “By the Sea” (1988)2019-10-23T15:35:51-04:00

Quarterly Stories: Autumn 2019

2019-09-24T12:56:16-04:00

Kaplan, McKay, Puntí, Rosenfarb and Shapton Short Stories in July, August, and September Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to two favourite writers and also explored three new-to-me story writers.

Quarterly Stories: Autumn 20192019-09-24T12:56:16-04:00

Alix E. Harrow’s The Ten Thousand Doors of January (2019)

2019-09-10T15:13:38-04:00

Under 1%. That's how many publisher recommendations and reading copies have slipped into my stacks this year (apart from paid review work). Because my policy has always been to review every book I'm sent, I've always been very particular about what makes it to my post box. But recently

Alix E. Harrow’s The Ten Thousand Doors of January (2019)2019-09-10T15:13:38-04:00
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