“Surfacing changed a lot. Bodily Harm was a pretty fast write. Handmaid’s Tale was a fast write. Lady Oracle took me a long time because there are so many people and it’s complex. I think Surfacing changed the most from beginning to end.” “Freeforall” leaves me craving an in-a-nutshell
“I was big on grit,” she says in an interview* where she describes finding old pages of writing from her childhood and teenagehood. She wrote a novel about an ant, still unfinished. And there were musings on the Hungarian Revolution and despair. “I had an eye for lawn-litter and
Sometimes the books that affect us most profoundly are the most difficult to write about; this has been the case for me, with Wendy McGrath’s poems in The Beauty of Vultures, which was published in April this year—a collaborative work with photographer (and musician) Danny Miles. Not a week
Bigamy, fraud, prison: the life of Frederick P. Grove reads like a novel. His 1925 novel Settlers of the Marsh both does, and doesn’t, hint at the unconventional choices he made in his own life. In one sense, it feels like a quintessential early Canadian novel. It even begins
Partly because the humidity makes it hard to inhabit my own skin, this summer was a tough one for me. It felt like I started to read a dozen different collections of short stories—but never finished one. I’ve written about Carleigh Baker’s Last Woman (2024) and the Russian stories
