Writing about women writing in the seventeenth and eighteenth centuries, Rebecca Romney outlines some of the risks for those who dared to venture out of the “private” sphere into the “public” in that fashion, echoing ideas expressed by Sandra Gilbert, Susan Gubar, Elaine Showalter, Dale Spender, and Ellen Moers.
On the day that I got my visitor’s card at the library here, I borrowed Marie-Louise Gay’s Mustafa (2018): a children’s story (Gay illustrates, writes, and translates) about a boy who searches for himself, in the space between his old country and his new country. Certains soirs, Mustafa rêve
Oh my, so much time has passed since I began to reread Audre Lorde’s essays: those early musings on her birthday, followed by “Notes from a Trip to Russia”, “Poetry Is Not a Luxury”, and "The Transformation of Silence into Language and Action". But, since then, I’ve found references
Even though I’d originally planned to write four posts about slavery this year (here are the first, second, and third), I’ve found an abundance of reading selections, so I’m sneaking in a half-step for this project. For many readers, the contemporary author who comes to mind first, on the
How anxious I was, about rereading this story; I had confused it with “In the Fall”, a heart-breaking story about Scott, a horse (you know the rule about spoilers and animal stories, eh?) who was once all black but became grey around the eyes by the time that story
