Quarterly Stories: Summer 2020

2020-07-10T15:38:39-04:00

Adichie, Colford, Ez-Eldin, Gallant, and Hurst Short Stories in April, May, June Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to two favourite writers and also explored three new-to-me story writers.

Quarterly Stories: Summer 20202020-07-10T15:38:39-04:00

Mavis Gallant’s “The Fenton Child”

2020-06-19T15:53:33-04:00

“‘Newborn, they’ve got these huge peckers,’ said Mr. Fenton. ‘I mean, really developed.’” When it comes to writing about Mavis Gallant’s short stories, I often want to begin with their first sentences. Sometimes there is such a swell of emotion at the story’s end, a marvelling at how entire

Mavis Gallant’s “The Fenton Child”2020-06-19T15:53:33-04:00

Mavis Gallant’s “Forain”

2020-06-01T09:49:31-04:00

In the late edition of the Sunday New York Times, on September 12, 1993 John McGahern describes "Forain" as “a story that is as close to perfection as possible”. What a compliment. He says that “Mrs. Gallant has always written well about the Parisian emigre world, but never better

Mavis Gallant’s “Forain”2020-06-01T09:49:31-04:00

Mavis Gallant’s “Across the Bridge” (1991)

2020-05-19T09:41:12-04:00

Since I began this project of rereading through Mavis Gallant’s stories, in January 2017, I’ve had this story in the back of my mind, unable to place it. I should have suspected it would reside here, in my first Gallant collection. Instead, I had begun to wonder if it

Mavis Gallant’s “Across the Bridge” (1991)2020-05-19T09:41:12-04:00

Mavis Gallant’s “Kingdom Come”

2020-05-08T15:00:10-04:00

If only Dr. Dominic Missierna could arrange for a weekly dinner with Charles Filandreux (from “Siegfried’s Memoirs” in Coming Ashore) and Henri Grippes (from “A Painful Affair” in Overhead in a Balloom). Every year weighs heavily on these men, even though the time seems to have passed too quickly

Mavis Gallant’s “Kingdom Come”2020-05-08T15:00:10-04:00
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