The previous story ends with an imprisonment: “He had got the woman from church to dining room, and he would keep her there trapped, cornered, threatened, watched, until she yielded to Grippes and told her name – as, in his several incarnations, good Poche had always done.” I’m thinking
This story is about Henri Grippes (familiar for readers of this collection, from “A Painful Affair” and “A Flying Start”) and O. Poche, who works in the taxation office. But it’s also about novelist Henri Grippes and his imaginings of O. Poche, who will appear in countless fictions. This
“All raise hands, please, who remember Rosalia. (Camera on studio smiles.)” You remember Rosalia, right? We met her in “A Painful Affair”, this collection’s fourth story: the dedicated servant of Miss Mary Margaret Pugh. Miss Pugh’s artistic patronage is not-yet-transpired in “Larry” (Larry is her half-brother), it’s an already-transpired-fact
Taraghi, Levy, Hébert, Gallant and King Short Stories in April, May and June Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to three favourite writers and also explored two new-to-me story writers.
As soon as I met Henri Grippes, I felt like I knew him. He reminded me of Charles Filandreux in “Siegfried’s Memoirs” (in Coming Ashore). Filandreux is a writer, all tied up in knots at the idea of writing a review he “would undoubtedly be requested to write”. Except
