Mavis Gallant’s “Jeux d’Ete”

2019-11-13T14:04:05-05:00

Another writer might have titled this story “Summer Games”. But in using a French title, Gallant’s English readers are immediately, if only for a brief moment, inhabiting an unfamiliar place. We have a hint of what’s to come. We are to expect something like the collection’s first story, “By

Mavis Gallant’s “Jeux d’Ete”2019-11-13T14:04:05-05:00

Shadow Giller: David Bezmozgis’ Immigrant City (2019)

2019-11-01T13:52:34-04:00

Along the way, I’ve missed only one of David Bezmozgis’ books. The last novel of his I read was The Free World and, reading through the quotations I saved from that reading, I was struck by how many older passages resonate with this new collection. Here is one which

Shadow Giller: David Bezmozgis’ Immigrant City (2019)2019-11-01T13:52:34-04:00

Mavis Gallant’s “In Italy”

2019-11-01T15:16:13-04:00

He’s middle-aged and the father of a grown woman the same age: no wonder Stella thought Henry was a catch, a great romance. Really? A catch? Did Stella really think so? And, even if she did, at one time, once she met his daughter, Peggy, in person, did Stella

Mavis Gallant’s “In Italy”2019-11-01T15:16:13-04:00

Mavis Gallant’s “By the Sea” (1988)

2019-10-23T15:35:51-04:00

“No one is either fully good or fully bad in a Gallant story; her characters are more interesting than that, Gallant is neither a moralist nor a polemicist,” explains Jane Urquhart in the introduction to the Penguin paperback edition of this 1988 collection of stories. In the opening story,

Mavis Gallant’s “By the Sea” (1988)2019-10-23T15:35:51-04:00

Mavis Gallant’s “The Assembly”

2019-08-07T11:07:51-04:00

This is one of those strange Paris-soaked stories that I imagine Mavis Gallant writing on an afternoon in a café when she has had too many cups of espresso. When she is in that creative mode where every gesture seen, every syllable overheard, every small intimacy observed between strangers

Mavis Gallant’s “The Assembly”2019-08-07T11:07:51-04:00
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