This year I have read some stand-out collections, but for the most part I neglected to take notes from them: Joy Williams' Honored Guests, Kathleen Winter's The Freedom in American Songs, Jessica Grant's Making Light of Tragedy, Shawn Syms' Nothing Looks Familiar, Elaine McCluskey's Hello, Sweetheart, Julia Leggett's Gone South and Other
Strangely enough, although I read this story twice earlier this year as well, when I scanned the table of contents I could not place it. Planning to reread for a third time this morning, I had no idea; it wasn't until the talk of the truck and Roy's need to gather the wood
On the list of 10 Perfect Alice Munro sentences, recently selected by CBC, this is the first: "Every year, when you’re a child, you become a different person." It begs the question, "When does one stop becoming somebody new every year?" Perhaps after an event like the incident described in this
In interview with Harriet Gilbert, when meeting to discuss her landmark work The Country Girls as part of the BBC's World Book Club, Edna O'Brien speaks about the relationship in that novel between a young woman and a married man referred to as Mr. Gentleman. Little, Brown and Company, 2015
Unsurprisingly, “Some Women” offers readers a panoply of images of womanhood. It begins by hearkening back to an earlier time, when “girls wore waist cinches and crinolines that could stand up by themselves”. But then locates the narrator as being so old that even she is amazed by the number
